Art History Faculty Fellowships (2000-present)
Karen-edis Barzman
Long-Term Residential Fellowship, Newberry Library, 2019-20
Lila Acheson Wallace Special Project Grant, Villa I Tatti, (Harvard University's Center
for Italian Renaissance Studies, Florence, Italy), Spring 2016
Funding for Collaborative Work at the University of Zadar, Croatia, Gladys Krieble
Delmas Foundation, Spring 2016
Honorary Academician (Accademic Honorario), Accademia delle Arti del Disegno, Florence,
Italy, appointed October 2015 (lifetime appointment)
Visiting Professor, Villa I Tatti (Harvard University's Center for Italian Renaissance
Studies, Florence, Italy), Fall 2013
NEH Fellowship, Newberry Library, Chicago, Spring 2013
Research Grant, Renaissance Society of America, Fall 2012
Grant for Independent Research on Venetian History and Culture, Gladys Krieble Delmas
Foundation, Fall 2012
Fulbright Research Fellowship, Italy, Spring 2005
Jeffrey Kirkwood
Fellowship, International Research Institute for Cultural Technologies and Media Philosophy
(IKKM), Bauhaus University, Weimar, Germany, 2016
Tom McDonough
Postdoctoral Fellowship, J. Paul Getty Foundation, 2004-2005
Visiting Scholar, Canadian Centre for Architecture, 2000-2001
John Tagg
Andrew C. Ritchie Lecturer and Visiting Scholar, The Yale Center for British Art and
The Yale University Art Gallery, 2016
J. Clawson Mills Senior Fellowship, Metropolitan Museum of Art, 2007-2008
Clark Fellowship, Sterling and Francine Clark Art Institute, Williamstown, Massachusetts,
Fall 2005
Chancellor's Award for Excellence in Teaching, State University of New York, 2002
Binghamton University Award for Excellence in Teaching, 2002
Nancy Um
Getty Scholar-in-Residence Grant, 2013-14
Post-Doctoral Research Fellowship, American Institute for Yemeni Studies, 2011-12
Postdoctoral Fellowship, J. Paul Getty Foundation, 2004-2005
Summer Stipend, National Endowment for the Humanities, 2004
Post-Doctoral Research Fellowship, American Institute for Yemeni Studies, Summer 2002
Andrew Walkling
Hanson Lee Dulin Senior Fellowship, Folger Shakespeare Library, 2017
Carl H. Pforzheimer Endowment Research Fellowship in the Humanities, Harry Ransom
Center, University of Texas at Austin, 2017
Katharine F. Pantzer, Jr., Fellowship in Descriptive Bibliography, Houghton Library,
Harvard University, 2017
Clark/Huntington Joint Bibliographical Fellowship, William Andrews Clark Memorial
Library (UCLA Center for Seventeenth- and Eighteenth-Century Studies) and Huntington
Library, 2016-17
Andrew W. Mellon Foundation Fellowship, Huntington Library, 2016
Fellowship, Yale Center for British Art, Yale University, 2011
Fellowship, Folger Shakespeare Library, 2011
Fellowship, William Andrews Clark Memorial Library (UCLA Center for Seventeenth- and
Eighteenth-Century Studies), 2011
Books by Faculty
Barzman, Karen-edis. The Limits of Identity: Early Modern Venice, Dalmatia, and the Representation of Difference. Leiden: Brill, 2017.
Barzman, Karen-edis. The Florentine Academy and the Early Modern State: The Discipline of Disegno. Cambridge: Cambridge University Press, 2000.
Hatch, Kevin. Looking for Bruce Conner. Cambridge, Mass: MIT Press, 2012.
Kirkwood, Jeffrey, and Leif Weatherby, eds. Elements of a Philosophy of Technology: On the Evolutionary History of Culture. Minneapolis: University of Minnesota Press, 2018.
McDonough, Tom, ed. Boredom. Documents of Contemporary Art. Cambridge, Mass: MIT Press, 2017.
McDonough, Tom and Aruna D'Souza. The Invisible Flâneuse?: Gender, Public Space and Visual Culture in Nineteenth-Century Paris. Critical perspectives in art history. Manchester: Manchester University Press, 2006.
McDonough, Tom. The Beautiful Language of My Century: Reinventing the Language of Contestation in Postwar France, 1945-1968. Cambridge, Mass: MIT Press, 2007.
Smart, Pam. Sacred Modern: Faith, Activism, Aesthetics. Austin, TX: University of Texas Press, 2010.
Tagg, John. The Burden of Representation: Essays on Photographies and Histories. Amherst: University of Massachusetts Press, 1988.
Tagg, John. The Disciplinary Frame: Photographic Truths and the Capture of Meaning. Minneapolis: University of Minnesota Press, 2009.
Tagg, John, and Antonio Fernández Lera. El peso de la representación: ensayos sobre fotografías e historias. FotoGGrafía. Barcelona: Editorial Gustavo Gili, 2005.
Tagg, John. Grounds of Dispute: Art History, Cultural Politics, and the Discursive Field. Minneapolis: University of Minnesota Press, 1992.
Tagg, John. The Cultural Politics of Postmodernism. Current debates in art history, 1. Binghamton, NY: Dept. of Art and Art History, State University of New York at Binghamton, 1989.
Raphael, Max, and John Tagg. Proudhon, Marx, Picasso: Three Studies in the Sociology of Art. [Atlantic Highlands], N.J.: Humanities Press, 1980.
Um, Nancy. Shipped but Not Sold: Material Culture and the Social Protocols of Trade during Yemen's Age of Coffee. Honolulu: University of Hawai'i Press, 2017.
Um, Nancy. The Merchant Houses of Mocha: Trade and Architecture in an Indian Ocean Port. Seattle and London: University of Washington Press, 2009.
Walkling, Andrew. Masque and Opera in England, 1656-1688. Ashgate Interdisciplinary Studies in Opera. New York: Routledge, 2017.
